How Story Structure Relates to Our Lives

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by Sue Coletta

I’ve become a structure-holic. I see it everywhere: books, TV, movies, and in life. This obsession has now spilled over into my blog, because I firmly believe knowing how to structure our novels is crucial. It ensures our stories flow properly, shows our character arc, and gives readers satisfaction. When it comes to writing fiction, it’s everything.

Which, to me, makes it awesome. It’s the magic bullet that can make our dreams come true. I know this for a fact…stay tuned for an upcoming post on how I know this.

Think of it this way…

Human beings have structure—flesh, organs, tissue, arteries, veins, water and muscle all have their place. No matter what race, religion or creed, we are the same. What braces all the stuff that makes up our bodies is our skeleton—structure.

We may look different on the outside… some have big noses, full lips, different skin and eye color… but we all started the same way…

As an egg—story idea.

That egg was fertilized in the womb and grew into something more, but it still hadn’t fully formed into a male or female yet—concept.

We evolved into a living, breathing human being and entered the world—character.

We grew up to think and feel differently, have different worldviews, religions, heart, and soul—theme.

And we lived our lives… our story—premise.

Some people are more giving, outwardly loving. Some are not comfortable with affection. But it’s all because of how we were raised or because of something that happened in our past to change us—backstory.

As I tell this story, I want you to think back over your life. We’ve all gone through hard times, some worse than others. Humor me, and if you don’t know structure now you will at least start to grasp it by the time you’re done with this post. That’s my hope anyway.

So, we’ve been born and we’re growing up, maturing or have already matured. Whichever applies to that specific time in your life.

We got a job, perhaps married and had children but kept our inner demons, our flaws—Act I—1st quartile: Set Up << which begins character arc, introduces characters, sets up FPP, foreshadows future events, etc.

And then something happened to throw our lives out of balance. This defining moment demanded that we act. We could not hide from it. It forced us to DO something—First Plot Point, at 20-25%.

After this crucial moment occurred an antagonist force entered our lives, or it was there all along and only now revealed itself—1st Pinch Point, at 3/8th mark or 37.5%.

We reeled, flailed, resisted, and failed—Act II—2nd quartile: Response 

We either did something to fix the problem or the problem worsened. All the while we kept thinking things could not get much worse. Or, we believed we’d finally solved the problem. But it was a false victory or a false defeat—Midpoint, at 50%.

So we needed to attack the problem head on, because it’s wasn’t going away—Act III—3rd quartile: Attack << our true character changes again and we become a warrior.

But then, we realized that we hadn’t actually solved anything. We’d only made it worse. Or, the victory we felt was short-lived because we didn’t realize X,Y,Z was around the corner waiting to blow everything up. Things looked bleak. We believed it just couldn’t get any worse—All Is Lost Moment.

But how did we really feel about this? What sort of impact did it have on us?—Dark Side of the Moon.

We stopped our pity party because it wasn’t doing us any good. Besides, we’re stronger now than we were when we started this quest.

And then we got another peek at the antagonist force. Only now it was more terrifying than ever because it too had upped its game—2nd Pinch Point, at 5/8th mark or 62.5%. Learn more about Pinch Points in Fiction Writing.

Then something else changed. Or, we discovered something that aided us in seeing a glimmer at the end of a very dark road—2nd Plot Point, at 75%.

And we began to see that there was in fact a way we could fix our lives—Act IV—4th quartile: Resolution << this act completes character arc

The only way to defeat the antagonist force was to overcome our fears, inner demons, flaws and meet this force head on. And to live with ourselves we knew we were the ones who had to fight this final battle, using everything we’d learned in life thus far, about ourselves and the world around us—Climax.

And then we could live happily ever after, or as happy as we could in our new world. We grew as individuals, faced our fears, and had come out stronger for the effort. We’d settled into our new lives—Resolution.

And that’s it… story structure as it relates to our lives. Obviously you need to start with a great hook. For more check out: How to Write a Killer Hook.

 

 

Guest post contributed by Sue Coletta. Sue is a member of Mystery Writers of America and Sisters In Crime and has a passion for crime fiction writing. Check out her blog for more of her articles and information about her books.

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14 thoughts on “How Story Structure Relates to Our Lives”

  1. This is great! It would be a great way to introduce story structure to intro to creative writing class. You’ve also got me thinking about trying to write a small autobiography strictly following story structure (another great exercise methinks), especially since, many autobiographies, or biographies for that matter, do not necessarily follow the structure. Somehow being “fact” rather than fiction, it never occurs that it can still apply. And just imagine, biographies would probably me more interesting to read! (Apologies to any biography enthusiasts out there).

    Actually, it would be cool if a group of writers would want to do such an exercise, in short story format, taking an event in their life and writing it out with the focus on strict story structure and sharing them. Anyone interested? (Because who doesn’t love a good writing exercise!)

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  2. I love this! I want to focus on learning everything about being a writer! I want to write stories that make people laugh, cry, and feel good. I think I will save this to a docx to refer to later. Thanks. I read EVERY one of your posts. Keep them coming.

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  3. This is fanastic. I rarely think consciously about structure while I’m writing but one of my friends can’t get a story going until he has all the structural details mapped out in advance. X) This swas a great way of phrasing the whole thing.

    Like

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