by Larry Kahaner
I just finished reading a terrific book, except for one thing. The ending was a cheat.
Every book must have one.
The author composed a quirky, clever main character with an animal sidekick that acts as a contract killer upon command. Very cool idea. The book moved fast, had an absorbing plot and the writing itself was workmanlike (one of my highest compliments) and even contained some flashes of wordsmithing brilliance.
But here’s the problem.
When I reached the end, the protagonist was left hanging in the middle of a predicament. Why? Because the author has a second book which he/she (I’m not giving you any more clues as to the writer’s identity) which takes up where the first book lets off.
As a reader, I deserve a satisfying and closing end to each book I read. If you want to have a second in a series, that’s great. If I like the first, I will most likely read the second and probably beyond, but I don’t want to be coerced or compelled by not having a real, honest-to-goodness ending to the first one.
I have many pals who write series, and they do it the right way. Each book stands on its own. This way, a new reader can dip into any book in the series and receive a satisfying experience without having to read the others. Trust me; if they like the book, they will read another one. Maybe the whole series. In fact, most readers are introduced to a series by the author’s most recently-published book, because that’s the one that publishers have hyped the most. This makes a complete, standalone experience even more crucial to a series’ success.
To write a successful series, an author has to insert enough backstory into each book, so the new reader gets up to speed without boring those who already know the main characters. It’s actually not that difficult, but it does require some finesse.
Respect your audience; don’t cheat them out of an ending.
Guest post contributed by Larry Kahaner. Larry is the author of more than 15 non-fiction books and has just completed a thriller “USA, Inc.” Check out his blog at The Non-Fiction Novelist.
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