by Manuela Williams
Let’s say you’re the editor of a literary magazine. You have ten submissions to review before lunch, a looming press deadline and, on top of everything else, a full time job. What kind of stories do you want to read? The ones with typos, poor formatting, and a nonexistent plot? Or the ones with a compelling beginning, memorable characters, and prose that shines?
Simply put, editors are busy people. From managing the business side of their magazines to reviewing submissions, they have a lot on their plates. As a writer, your job is to make the editor forget about everything but your story.
Continue reading From Slush Pile to Editor’s Desk: Submit a Story That Stands Out
by Teagan Berry
I’ve never thought I was capable of writing short stories. Novels? No problem. Give me an idea and I can run with it for eighty-thousand words without hesitation. But ask me to tell a complete story arc from start to finish in five-thousand words or less? Never. Not a chance.
That’s how I’ve always believed things to be. And I never imagined I’ve have a differing perspective on the matter until just very recently. It occurred to me the other day that though yes, there are definitely technical differences between writing short stories and full length novels, it’s also very much a mental game with yourself. If you back yourself into a corner, only ever believing you’re capable of one or the other, you’ll never truly succeed at anything else. You’ll forevermore be uncomfortable with writing out of that space you’ve become extremely familiar with.
Continue reading Why Short Stories Are Difficult to Write