Throwback Thursday is a series where we take a look back at some of AWP’s most popular posts. Enjoy!
by Michael Cristiano
As I’m sure you know, dear readers (or Mom… Hi, Mom!), I’ve come to a couple realizations over the past year or so since the release of my first novel. The biggest revelation, the one where I decided to go back to writing for myself, I’ve written about extensively already, and you can read that post here…
But the focus of this post will be on something I’ve wanted to say for a long time, but I’ve been a little wary of the potential backlash I might face. I’d first like to preface this by saying that everyone’s writing/publishing journey is different. Every individual writer is unique, and what works well for one writer may not work well for another.
And that’s two-fold: I acknowledge that what I’m about to say is simply my opinion, and it by no means is meant to shame other authors or demean their work. Besides, you do you, fellow writer, you. There are no rules in writing. Well, there are, but you know…
Okay, deep breath. Here goes.
I’m not on board with the culture of write-fast, publish-much that’s taken hold of the publishing industry lately. Okay, amendment: I’m not on board with the culture of write-fast, publish-much that’s taking place in the indie author sphere (because, let’s be real, long production times are the norm, albeit necessary, with a traditional publisher).
What is the write-fast, publish-much culture, you ask? Today in the publishing industry, especially in the indie-author market, quantity is king. I’m not saying that quality isn’t being taken into account, because to some extent it probably is, but there is a new mantra for indie authors like myself: write a lot and publish as often as possible. That means that some authors are publishing three or more novels a year, sometimes as many as ten novels a year.
“But that’s not a bad thing, Michael,” you protest. “If I write three or more novels a year, and I’m able to release them, whether through a small press or a self-publisher or on creased rolls of toilet paper, why shouldn’t I? Besides, I’m building my brand, and to expedite the process, I’m growing a catalog of my titles so that readers can discover my work.”
Well, in my opinion, there is a big problem with that mentality.
The Eternal Quality vs. Quantity Conundrum
I’m not going to lie, I judge authors who feel the need to release more than two books a year. Okay, second amendment (and I’ll be generous): I judge authors who release three or more books within a year ESPECIALLY if the three books are not part of the same series. I’m sorry: a writing career shouldn’t be a puppy mill of stream-of-consciousness vanity projects. I just don’t see how anyone has the time to publish more than three novels a year AND maintain consistent literary quality.
To me, releasing novels rapid-fire-style is indicative of premature work. If five or ten or *gasp* fifteen individual novels are being released per year, how much time was spent on each one? How many drafts did you write? How long did you spend on developmental editing? Copy editing? Proofreading? Getting notes from beta-readers? What about that break you should take between the final edit and the final read-through to clear your palate? I’m pretty sure a single evening of binge-watching Netflix doesn’t count.
Sure, if you’re a full-time writer and you have a really quick team of beta-reader/editor-robots, you could have a really good, polished manuscript in a year. Eight months if you’re lucky. But a quality novel every month and a half? I just don’t believe it’s possible. Sure, if you have a back catalog of novels you’ve written since childhood and you think they’re all ready to go at the same time, by all means, release away. But three or more is overwhelming, and did you ever think that maybe those back-cataloged books are in the past for a reason?
So, where’s the sweet spot? How many novels should you release a year in order to ensure highest quality? I don’t know, frankly. But I have a hunch: unless you’re J.K. Rowling or Shakespeare or Stephen King, or you’ve had independent third parties verify your equivalency, I’d focus more on the quality of your work and not on the quantity if I were you.
And Now: A Moment for Cheese
Because let’s be real. The number of books released in a year is just that: a number. The ratio of novels to years is arbitrary. But you know what’s not? Quality. In my opinion, books are like good cheese or wine. Good cheese and wine need time to grow–time to mature. That’s why older cheeses and older wines are more expensive: they’re better because they’ve been given time to sort their sh*t out. I’m just doubtful that the sixth novel you’ve released this year is any good.
What’s the rush for? Take your time. Be the aged cheddar of the publishing industry: digestible and dependable and a classic. Be the brie: smooth and double-creamed served with red pepper jam. Hell, be blue cheese: an acquired taste but oh-so-prolific.
Just don’t be processed cheese. Got it?
I’m not saying it’s not possible to draft a novel in a month or less. That happens all the time, and even though sometimes I take upwards of a year to complete the first draft of one of my novels, I know that is not the norm. Drafting a novel quickly is not the problem; rather, the problem is releasing everything that touches a Word document within six months of conception in an attempt to inflate the number of works attached to your name.
Original article here.
Guest post contributed by Michael Cristiano. He works in editing and acquisitions for Curiosity Quills Press, and his freelance work has appeared on websites such as Nexopia, FluentU, and BlushPost. Check out his blog for more of his work.