How Do You Take Criticism?

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An author can’t get away from criticism, no matter the level of talent. How do you cope with it? And is there a way for it to be beneficial to you?

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Skill vs. Talent – Which do you have?

 

by Ryan Lanz

  • tal·ent [tal-uhnt] noun: a special natural ability or aptitude.
  • skill [skil] noun: the ability, coming from one’s knowledge, practice, aptitude, etc., to do something well.

What if you don’t have natural talent? Does that mean you may as well give up?

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How Alison Bliss Became Published: An Interview

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Today we’re going to interview Alison Bliss, a recently published author. The intent is to highlight a successful publication path to aspiring authors, who might be looking to take a similar route. Armed with creativity and dedication, authors are finding success in today’s changing market.

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The Dos and Don’ts of Dialogue Tags

 

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by Ryan Lanz

Writers use dialogue tags constantly. In fact, we use them so often that readers all but gloss over them. They should be invisible. However, there are ways to misuse them and make them stand out.

In an effort to avoid that, let’s take a closer look at dialogue tags. Toward the end of “Tag travesties” is something I sorely wish someone had told me before I started writing.

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Avoiding First Chapter Blunders

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You’ve got your idea. Your characters are fleshed out. The setting is crystallized in your mind.

You power up the laptop, and you place your fingers on the keys. Chapter one.

There’s a magic in that. You can practically feel the readers forming an orderly line to purchase your book, even before you finish the first paragraph. But what do you want to accomplish? What are the things to avoid in your first chapter? In this post, we’ll look at the nitty-gritty of a novel’s first chapter.
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Altering the Reader’s Perspective

 

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Who doesn’t like the thought of being able to direct someone’s thoughts or emotions? Sure, it’s typically in fantasy only, but I’m sure most have skirted around the thought. When we imagine someone doing so, it’s usually an evil villain’s doing, involving elbow-length gloves and an over-sized, veiny head.

But actually, we writers do this all the time. We use words at the tip of our brushes to paint the reader’s emotions. We essentially angle wording in a way to guide the reader how to feel.

Now, you may be thinking, “Ryan, that’s ridiculous. The readers come to their own conclusions.” And yes, they do. However, let’s visit an example.
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