by Doug Lewars
Best seller lists are tricky. They can be manipulated and sometimes are. Nevertheless, they do serve a purpose. For one thing, I suppose, they inform people of what other people are reading, thereby generating a sort of herd effect that might drive up sales, but more importantly from a writer’s perspective, they provide a touch stone as to what readers are interested in.
Continue reading The Ingredients of a Best Selling Book
by Allison Maruska
I saw an interesting quote on Facebook this morning.
“Some days you don’t feel like doing your job. But there is no ‘teacher’s block’ or ‘dentist’s block.’ I can’t figure out why we have created this mysterious phrase..only for writers..which only means ‘don’t feel like doing this right now.” Lois Lowry
I’ve been chewing on it all day and decided maybe “The Block” is reserved for creative pursuits – creating something from nothing can go off the rails sometimes. Are Painter’s Block and Quilter’s Block a thing?
Continue reading Is Writer’s Block A Real Thing
by Doug Lewars
I find it hard to believe but recipe books do sell. The thing to remember is that precious few readers are likely to make much use of the recipes. The number one thing that draws readers is the fantasy of the thing. We might all like to dine on Sacher Torte but would we really want to spend the time and effort to make one?
Continue reading How to Write a Recipe Book That Sells
Today’s article is for teachers and librarians and media specialists as well as for authors of books for children and teens.
When my children were in school, occasionally a form came home explaining that an author was visiting the school and my child could purchase a book which would be signed by the author.
Continue reading How to Do an Author School Visit
by Elizabeth Preston
As readers, we root for a kiss to happen between the characters who we know are just meant to be together in a novel. When it finally happens, we inwardly cheer (okay, sometimes outwardly as well) and then move on.
Continue reading Pucker Up: Writing a Kissing Scene
by Andrea Lundgren
Characters do all kinds of things in fiction. Their actions make up the stories we write, and if they did nothing…it’d be pretty boring.
But how much motivation should there be in what they do? Do you, as the author, need to always know why they’re doing it, or can they just “do something for doing it”?
Let’s take a look at a scene and see how it works.
Continue reading Character Actions: Should There Be a Reason Why?
by Lev Raphael
For the last few years, at every writers’ conference I’ve attended, the hottest topic has been social media. Writers crowd these sessions like medieval pilgrims seeking miracles at a shrine. They seem convinced that with just the right piece of information, they can use social media to promote themselves into writing stardom.
Continue reading Writers: Don’t Get Trapped By Social Media
They say to write what you know, but should you? We’ve all heard this writing advice. But what if you’re writing a far-out story, like fantasy or science fiction? In this post, we’ll explore what it truly means to write what you know. It could mean something different than you think.
Continue reading Should You Write What You Know?
by Daniella Levy
Getting rejections is hard. That much is obvious.
Sending them can be hard, too. Especially when you know the rejectee is going to be very disappointed.
Not that I’ve ever had to send one quite like that. But I get it. Many of you people who must send rejection letters regularly have been on the receiving end at some point or another. You know how hard it is. You want to let them down gently. You want to be encouraging, but not so encouraging that they’re going to flood you with more submissions or applications, especially if you really didn’t like what they sent you. It’s a delicate balance.
Continue reading How to Write a Rejection Letter That Won’t Make People Hate You
by Jacqui Murray
Have you ever read a book and found yourself feeling depressed or angry, or maybe just fidgety as you read? You might blame it on the tension and growing crises that are part and parcel to a developing plot, but then why does your subconscious keep pushing you to take a break? A good book is a page-turner. You can’t put it down. So what is it about this one that has you tapping your fingers even during the chase scene?
Continue reading The Power of Positive Writing