A Word on Plot For Authors


by Doug Lewars


I believe I was in high-school when I first stumbled across a modernistic book that was devoid of plot. I wasn’t attempting to read modern literature at the time. What I wanted was science fiction and this book was classified as such. After sixty pages I closed the book and wondered – when is the story going to start? After I reached the hundred page mark I was tempted to give up, but I was unable to conceive of a book going from beginning to end without a plot of some sort. When I closed it after reading the last page I decided I’d learned my lesson and swore never to read that author again. I may have broken that promise in later years, but if so it was purely by accident – a result of seeing an interesting title and not checking the author. 

Plot is important. There are some who reject that statement as being utterly old fashioned. They’re welcome to their views and can read what they want. For me it’s critical. I can live with very sparse settings. I can live without character development providing the characters are interesting. I cannot live with what used to be referred to as a storybook if it lacks a story.

Telling a story is what we writers do. If by doing so our reader is educated, great. If he or she is enlightened, all the better. If lives are transformed through our work that’s amazing, but none of that is our primary purpose. Our task is to tell an interesting story that will hook a reader’s interest and hold it to the last page. Preferably, when the book is put down for the last time the reader will be left wanting more. What we are not here to do is frustrate or annoy our reader sufficiently to see our book tossed across the room or more likely into the blue box for recycling.


[Related: Hate writing blurbs? I’ll do it for you. Check out our blurb writing service.]


Conflict is a good literary device. Create an objective for your protagonist and then throw any number of impediments in the way. Add any number of twists and turns. A sudden surprise is welcome. You can even wind up with your main character chasing his or her tail and make it work. If push comes to shove, you can write an unhappy ending although personally I don’t care for them. What you cannot do in my opinion, is write an essay and call it a story. There are plenty of places for essays. Fiction isn’t one of them. That goes double for sermonizing.

Having said all that, I have to concede that in certain circles, plotless, avant-garde literature is de rigueur. For example, there is a book on the shortlist for one of the big prizes – Giller or Booker – I don’t remember which. It is over a thousand pages long and consists of one sentence in the form of a stream of consciousness. I won’t be reading it. Such books may win prestigious awards. What they will never win is the hearts and minds of the vast majority of readers.





Guest post contributed by Doug Lewars. Doug is not necessarily over the hill but he’s certainly approaching the summit. He enjoys writing, reading, fishing and sweets of all sorts. He has published ten books on Smashwords.com.

Image source – Pixabay License.



6 thoughts on “A Word on Plot For Authors

  1. I concur.
    A story without a plot is nothing more than a conversation between toddlers, rambling, directionless and without meaning. That’s not to say that all writing needs a plot. Philosophical examinations are plotless. Scientific papers are without plot. And I love reading those.
    But a story? A protagonist with a goal is requirement #1 in telling a tale. The success or failure of achieving that goal must lead us along a sequence steps, ergo, plot.

    Liked by 1 person

  2. I love how this post suggests that either books are plot-focused (to the exclusion of everything else- character and setting) or they are long, single sentence stream of consciousness novels. As if there is nothing in between. What a bizarre take on fiction.


  3. I don’t think I’ve ever read a plotless story, although I’ve read one or two in which the overt plot revolves around a MacGuffin and is the excuse for an in-depth character study or a way to string together sex scenes. (Pro tip: If you ever get a chance to buy a box of random paperback novels from the ’70s, do it. You will find a wider variety of writing than you ever imagined, probably because reading was a bigger share of everyday entertainment.)


  4. This was a helpful post. I am a brand NEW author and am curious as to why certain books appear to have great ideas and then it’s hard to get past page 20 (or so). I have followed you and hope to read more of your posts. Again, thank you for your informative post. Blessings, Christine C Sponsler Sponsler.Ink


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.